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Rendez-vous in Montreal
Rendez-vous in Montreal 〔N. Magnenat-Thalmann, D. Thalmann, (The Direction of Synthetic Actors in the Film Rendez-vous à Montréal ), IEEE Computer Graphics and Applications, Vol.7, No 12, 1987, pp.9-19〕 is an animated film that used advanced computer techniques to achieve such effects as modelling the film stars Marilyn Monroe and Humphrey Bogart. The film was directed by Nadia Magnenat Thalmann and Daniel Thalmann and produced with a team of 10 people. Specific interactive software was developed that allowed designers in 1987 to interactively use commands to generate the sequences. The main purpose of Rendez-vous à Montréal were to show that true synthetic actors can be created. This film represented a technological breakthrough both on the software side and the film itself.
== The Scenario ==
The movie begins in the hereafter, where Humphrey is bored and longs to live again. He thinks of Marilyn; he calls her many times and begs her to return to earth with him. The head of Marilyn grown old appears: she accepts. Humphrey then sets up a rendezvous with her for the next day at 10 o'clock at the Bon-Secours market in Montreal. Both actors disappear in the night while making faces at each other. They come down from a starry sky into the Bon-Secours market; we hear footsteps and the sounds of the city in the background. We do not see Humphrey but we hear him think out loud. He hesitates, he looks about for the entrance, he finds it and enters the building. We come to a room where we see a clock that strikes 10 times, reminding us that time is a factor again. Marilyn appears motionless and made of marble. She has not returned to life yet. In reply to Humphrey’s questions, she turns into gold. Humphrey fancies her and sends her a kiss that awakens her. She appears in all her splendor. They take each other hands and the romance begins.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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